This is a facial mask painting. Peng Fang, an inheritor of intangible culture, is sketching on a mask.

這是臉譜面具繪畫，非遺傳承人彭芳正在面具上勾勒一張臉譜。

Peng has painted for over a decade. She has done research on Beijing and Sichuan Opera makeup, as well as Shanxi Ladle and Tibetan facial makeup, and constantly incorporates some of these painting elements in her designs.

彭芳從事繪畫藝術十多年了，她喜歡研究京劇臉譜、川劇臉譜、陝西馬勺以及藏式臉譜等，并運用到一些設計作品當中。

Peng Fang introduces the facial makeup of a character of a Chinese novel to Alya at Peng's home. Long Yining

Russian artist Alya visited Peng’s home today. She showed great interest in face painting skills and learned how to make a mask using facial makeup.

來自俄羅斯的畫家Alya來到彭芳家裡做客，并饒有興趣地跟着她學習了臉譜繪畫技藝。

Peng Fang teaches Alya how to make a mask using facial makeup. Long Yining

The painting process involves many steps, including preparing a white mask, positioning, sketching, base painting, the main painting, modification, adjustments and polishing.

一張臉譜面具的繪畫過程，從準備白胚、定點定位，構圖勾線，上底色，深入繪畫，到修改調整，上光油等多個步驟。

Alya draws on a white mask.

As part of the new generation of intangible culture inheritors, Peng’s creation combines tradition and innovation. She paints facial makeup on unconventional objects like oyster shells, and she also creatively applies Cantonese Opera painting styles to design mascots such as “Shenshen” and “Zhenzhen,” which feature several other Shenzhen elements.

作為非遺新一代，彭芳将傳統與創新相結合，别出心裁地将臉譜繪畫到生蚝等物品上。她創作的臉譜吉祥物“深深和圳圳”，采用傳統粵劇臉譜文化的特色手法，創造性地結合了多個深圳元素設計而成。

Alya (L) and Peng Fang pose for a photo with masks they painted as a gift for each other. Long Yining

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